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P R O G R A M

Friday, March 15th



8:30 am – 9:00 am         Breakfast

9:10 am - 9:20 am          Welcoming Remarks, Jehnna Lewis and Roksana Filipowska



9:20 am – 9:30 am         Introduction to Panel 1



9:30 am – 11:15 am         PANEL 1

                                        Experiencing the Machine                 Respondent: Professor Eric Jarosinski



                       Joseph D. Hammett, UC Irvine, European Languages and Studies: “The Anxiety and Hyperstimulation of Experience in Modernity:
                                   Robert Reinert's Nerven (1919)"

                       Lisa Sarti, Hunter College, Department of Romance Languages: “German Experimental Filmmaking and Pirandello’s Aesthetic Shift”

​​

                       Christian Voller, Ruhr-Universität Bochum, Philologische Fakultät: “’Der explodierende Bürger' Charlie Chaplin and the  
                                    ‘Konservative Revolution’”

11:15 am – 11:25 am         Coffee Break

11:25 am – 11:35 am         Introduction to Panel 2

​​

11:35 am – 12:30 pm        PANEL 2

                                         Mechanizing the Mind                        Respondent: Professor Liliane Weissberg



                        Jeffrey Kirkwood, Princeton University, Department of German: “Bad Analogies: Early German Cinema and the Exteriorization of
                                    Psychic Operations”



                        Mordechai Hodkin, Northwestern University, Department of German: “The Timeless Posthuman of Friedrich Kittler”



12:30 pm – 1:30 pm        Lunch



1:30 pm – 2:45pm          Keynote Speaker: Prof. Dr. Gertrud Koch, Freie Universität Berlin: “Film as Experiment in Animation: Are Films
                                       Experiments on Human Beings?”



2:45 pm – 3:15 pm          Coffee Break



3:20 pm – 3:30 pm         Introduction to Panel 3



3:30 pm – 5:15 pm          PANEL 3

                                        Lingering Ghosts and Machines             Respondent: Matthew Handelman



                         Meredith North, University of Pittsburgh, Department of the History of Art and Architecture: “Silencing Machine: Peter Roehr’s
                                    Film Montages as Queer Disavowal”



                         Bridget Swanson, University of Pennsylvania, Department of Germanic Languages and Literatures: “Liberating the Canon: 

                                    Christopher Stark’s Julietta and the Spatial Politics of Adaptation”

​                         Danny Snelson, University of Pennsylvania, English Department: “Reveal Source Code: The Thousand Platforms of Dr. Mabuse”

​5:30 pm – 6:15 pm Light Reception

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